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05-04-16, 05:49 PM | #511 |
Navy Seal
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Stevie Ray Vaughan-life without you-live
Stevie Ray Vaughan-Little Wing Nice collection Vienna. I didn't know prince covered Jimi Hendrix's " Red House " |
05-04-16, 07:09 PM | #512 | |
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Neither did I; I was just looking for some videos showing a greater variety and depth than most of the general population associates with Prince. There are a lot of other videos on YouTube showing just how varied his talent and his approach to music really was; and you gotta respect his choice of backing musicians - next to James Brown and Miles Davis, he was probably the most demanding of his bands and their talents. Speaking of James Brown, the fellow playing sax with Prince is none other than the legendary Maceo Parker who played in Brown's bands and, later with Parliament-Funkadelic, among others:
https://en.wikipedia.org/wiki/Maceo_Parker#Discography Also, in the Crimson and Clover video, the dancer is Misty Copeland, the first African-American dancer to be named Principal Dancer in the history of THe American Ballet Theater. Her association with Prince brought her attention beyond the world of ballet: https://en.wikipedia.org/wiki/Misty_Copeland Quote:
<O>
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05-05-16, 07:02 AM | #513 |
Chief of the Boat
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Yes - Long Distance Runaround
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05-05-16, 09:24 AM | #514 | |
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Quote:
One of my favorites that played with Miles Davis on tour was none other than Kenny G. Kenny's playing style is called smooth Jazz and is great listening if you like Jazz and want to relax . Great guy too in addition to being a great Alto, Soprano, and Tenor saxophone Player. One of my favorites or should I say a couple. Kenny G- Sentimental Kenny G - Silhouette |
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05-05-16, 04:02 PM | #515 |
Dipped Squirrel Operative
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Yes again, this is a version of »It can happen« that i never heard before:
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05-05-16, 04:30 PM | #516 |
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Hate to say it but I'm not a big fan of Kenny G or smooth jazz; we had a great, legendary FM rock station here in Los Angeles (KMET-FM) and the new management decided to change format to smooth jazz; perhaps that is the reason I have a sort of antipathy towards the genre...
I do like other forms of jazz and I am a great admirer of Miles Davis, who, by the way, was a big fan of Prince, as he was also a big admirer of Jimi Hendrix; Miles went to Jimi's funeral in Seattle, but was so overcome with grief he couldn't bring himself to leave his car and go to the gravesite; I guess he didn't want the world to see 'big, bad' Miles Davis crying. Davis described Prince as combining Jimi Hendrix, James Brown, and Charlie Chaplin. Matt Sorum, drummer of Gun & Roses, was on Steve Jones radio show and told of seeing Prince backstage at Coachella just before Prince was to perform. Sorum said Prince gathered his musicians in a circle and started to give them very detailed instructions as to changes he had made to the set list and how the songs were to be played. I wonder if Prince imposed fines for errors as Davis and Brown did on their musicians... Regarding the history aspect, I learned a long time ago in music, as in so many other aspects of life and life skills, it is very often very beneficial to look behind where the current talent is and seek the source of the art. A good many of the truly great musicians will gladly cite their influences and give credit where credit is due; the Beatles and Stones, Clapton, Vaughn and others were/are very big on giving credit. It is very annoying when some "big star" whose talent is a bit of a rip of others influence strut about as if they and their "talent" were made of whole cloth. Sometimes, though, the fault is not entirely their own: I once saw an early film clip of Elvis at a news conference just after he broke big; at one point, a reporter asked Elvis about his musical influences and he responded by citing blues artists Arthur Crudup and Bill Broonzy; as Elvis was continuing to cite more Black artists, his manager, Tom Parker, hurriedly interrupted and shut down the press conference as Elvis looked bewildered and confused as to why Parker acted; whether the motive was to preserve the image of Elvis as an 'original artist' or whether the action was taken to disassociate Elvis with what was then still regarded as race music will never really be known... <O>
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05-05-16, 08:00 PM | #517 |
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It's all good Vienna. We all have our different tastes in music and Jazz isn't for everyone. I have seen Kenny G play a number of times and find his music relaxing. In addition to being a great Sax player, Kenny G is an accomplished golf player as well. My own tastes run the gamut from classical music, through straight up rock and roll from the 50's to the 90's, Jazz and blues and R&B.
Yes-Changes Yes-owner of a lonely Heart Bob Seger-Turn the Page Bob Seger-Travelin' man |
05-06-16, 06:22 AM | #518 |
Chief of the Boat
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Yes - Yours Is No Disgrace
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05-08-16, 09:37 PM | #519 |
Rear Admiral
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it dont come easy
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Guardian of the honey and nuts Let's assume I'm right, it'll save time. |
05-09-16, 03:56 PM | #520 | |
Navy Seal
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Quote:
<O>
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05-09-16, 06:09 PM | #521 |
Navy Seal
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Okay Vienna, this is for you. Let's try Wes Montgomery. Wes is widely recognized as the father of " Octave " guitar playing in the Jazz style. Guitar players here would know that this is playing the same note, but on different strings simultaneously. There are many musicians who use this style such as George Benson and Eric Johnson and Chet Atkins used something of a variation of that called " String Skipping "
Wes and the others I mentioned are great Jazz guitar players. Wes Montgomery-Round Midnight Lonnie Mack-Wham ( not sure how to classify this one ) Jazz ? Blues ? George Benson- On Broadway. Eric Johnson- East Wes- tribute song to Wes Montgomery. - live on Austin City Limits. Eric Johnson-East Wes- Studio Version ~ Enjoy ~ |
05-09-16, 07:17 PM | #522 |
Navy Seal
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Well familiar with all of the, although I do feel Eric Johnson missed out when he went for Guitar Hero status and seemed to lose the beginnings of true soul he had once; but, then again, I really haven't heard any of his recent product, so, perhaps, age has tempered his course...
Wes Montgomery is a very big favorite of mine; I thought it was rather criminal when the record companies, thinking they knew better, foisted off mundane horn and string backings and arrangements on his recordings. The best Montgomery was always the pure Montgomery in simple combo groups. I once read an article where a reporter/critic interviewed Wes and asked him how and why he developed his signature octave style. The reporter said Wes got a little embarrassed and said 'Well, I just started out playing that way and no one ever told me it was wrong'; I'm surprised some record company producer didn't try to "correct" Wes and I'm glad no one else ever tried; some times the best right is the best wrong... Sadly, Lonnie Mack passed away less than three weeks ago. The list of guitarists and others Lonnie Mack influenced is very, very long, indeed. He was another case of an artist whose influence far exceeded his fame in the public mind. Truly a great musician and who else can lay claim to having the guitar "Whammy Bar" named after him and his playing style? RIP, Lonnie, go find Stevie and have a play... <O>
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05-09-16, 08:33 PM | #523 |
Admiral
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Sabaton ~ Birds of War
Side Note: This song is about Warhammer 40K not WW1. Sabaton ~ Talvisota Sabaton ~ The Price of a Mile Flogging Molly ~ The Times They Are A-Changin' Dropkick Murphys ~ Workers Song
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05-10-16, 09:29 AM | #524 |
Chief of the Boat
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10cc - I'm Mandy Fly Me
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05-10-16, 02:02 PM | #525 |
Rear Admiral
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man in the box
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Guardian of the honey and nuts Let's assume I'm right, it'll save time. |
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