I don't know about above-water scenes, but as much as I love my own water config, I had to go back to the default water for when I worked with my movie, because murky water is actually difficult for compression purposes - that is, the contrasts are lower and the colours are, well, deeper, making it a bit problematic to compress.
I'd like to see a 'movie-friendly murky water' config sometime though, hmm :hmm:
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There are only forty people in the world and five of them are hamburgers.
-Don Van Vliet (aka Captain Beefheart)
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